Breathless ... .
I'm having a difficult time staying in focus right now. So much is happening so fast -- and I'm having a problem keeping on top of it all. Funny what rises to the top at such times.
Yesterday I attended an event honoring Frances Albrier, political activist in Berkeley over many years. The community center in San Pablo Park in South Berkeley was named in her honor years ago. Mrs. Albrier was a friend of my grandfather, Papa George's. I was his buddy for baseball games. He often stopped in at the nearby Albrier home when we visited San Pablo Park to watch the Negro barnstorming baseball teams play the California Eagles. This was long before the major leagues were racially integrated, of course.
Papa George and Daddy Joe would often sell caramel-colored pecan and overly-pink coconut pralines that stained your fingers -- at the games. They had a candy kitchen for a time -- in the back yard of Daddy Joe's home in the Fruitvale Area of Oakland -- one of their many ill-fated moneymaking schemes. In looking back I'm reminded that these two old guys were the African-American version of Steinbeck characters out of the Cannery Row or Sweet Thursday. Wish I'd paid closer attention to their antics at the time. Their entrepreneurial efforts allowed me to get to know the youngsters across town -- we lived far out in East Oakland. They were reasonably trustworthy to oversee my care but were enough involved in the games and their vending to allow for freedom and some growing space at a time when a little girl could use both.
It was here that I'd met my husband, Mel. I was 14 and he, 17. He was sitting on his bike (with newspaper saddlebags attached) near the clubhouse. I remember trying hard not to be obvious as I watched him from atop the fence where I was seated - only half watching the game. He was shy. I was even more so. It was not an auspicious meeting, surely not one that predicted that he would become my husband in May of 1942. But yesterday was Mrs. Albrier's day, and I was invited to attend as one of the elders with a memory of her and of her times. I'd been asked to say a few words of remembrance along with others
Later in the evening I joined Tom, his daughter and son and Peter's beautiful young fiancé for dinner in San Francisco. On the drive home I found myself with that little bit of nonsense that kept drifting in and out of focus and finally rose to the top riding on a hidden grin:
At 19 I'd married Mel Reid, celebrated extravagantly handsome football hero (quarterback for USF) which allowed me to learn more than I ever wanted to know about football with the bonus of seats on the 50-yard line for all important games; both in college and later at professional games. At 20-something that's nothin' to sneeze at.
After a failed but 35-year marriage; at fifty-something I married Bill which gave me access to the world of the university. Bill was the grey-bearded pipe-smoking yellow cashmere sweater with leather patches on elbows and tweed slacks with Brooks Bros. button-down shirt and loafers -- university psychology professor-- but even more important -- he had a University of California, Berkeley, parking space with his name on it. There were moments when I jokingly insisted that it was for this perk alone that I'd agreed to marry him. Sometimes he laughed -- sometimes not -- depending upon who was in the room when I'd blurt such nonsense.
It's all relative. Tom has a bright blue plastic handicap placard -- better than valet parking! You can't imagine how much that simplifies life in the Greater Bay Area which has such a glut of cars (he, for reasons that escape me, owns three). We have such poor public transportation, and so many fascinating places to visit. Memberships in the MOMA, the DeYoung Museum, and Ashland Shakespeare Festival doesn't hurt this friendship, but it's that bright blue plastic handicap placard that equals Bill Soskin's Cal parking space and Mel Reid's seats behind home plate or on the 50-yard line. The fact that he is one of the nicest gentle men I've known over a long lifetime doesn't hurt, either.
Life does have its compensations, doesn't it? You just have to be able to recognize the blessings when they surface. And wouldn't it be sad if I really was this shallow?
...and I do need to do something about arranging for some ambling lessons. I still find myself sprinting when a simple leisurely one foot in front of the other -- rhythmically and considerately will do just fine. Bill often expressed a wish that I could be tethered to his ankle when we window-shopped along Union Street in San Francisco (one of his favorite pastimes). His annoyance was clearly visible. When I'd find myself two stores ahead -- he'd deliberately hang back to force me to slow my pace.
I think I'm getting a little better at it, but have a long way to go before I've mastered it. It's particularly noticeable when I'm with Tom at art galleries. I tend to be always at least one exhibit ahead -- constantly running back to alert him to something up ahead that he has yet to reach ... .It must be frustrating as hell! He is so patient and long-suffering and never yet has he complained. But I notice and feel embarrassed and guilty at my irrepressible enthusiasm at such times. His health is poor and the condition is long-standing. I'm blessed with energy to burn ... and enough curiosity to wear out all but the heartiest of men. To his credit -- Tom continues to hang in and tolerates my exuberance with the grace of a saint. I'm so-oo-o grateful for his patience.
The Calder show is coming to the MOMA in March. Maybe this time ... .
Sunday, February 05, 2006
Tuesday, January 31, 2006
The pendulum continues to swing into the stratosphere ... and I'm hanging on for dear life ... !
Is this how celebrity happens? And, if so, why on earth did it take so long? In a very disconcerting way -- it appears to feed on itself -- creating its own energy and crowding out humility. But that part of me that tends to sit outside myself monitoring events as if from afar keeps things in perspective pretty well. If it gets too crazy I just remind myself that I'm outliving my hair and that -- given a few more years I'll be as bald as an eagle! That's when the giggles come.
The week continued to unfold with surprises around every corner. On the day after word came that my songs were available to me (and the cassette is now in hand, thanks to Charlotte), and that my film would be on its way soon; I arrived at my office and unloaded voice mail (had the weekend's accumulation) and here it was. Here was a call from the office of Rep. Barbara Lee asking if it would be possible to obtain 30 copies of the DVD. What DVD? Another story:
My co-worker, Naomi, and I had created a 4-and-a-half minute production intended as a discussion starter for our evolving outreach program (we specialists call this a "strategy"). Impressed? It turned out to be a barn burner; a little piece with a narration written and added to a cascade of images of the WWII period that shows ship launchings involving African Americans, news pieces; vintage photos from the albums of Marguerite Roles, widow of union official Mahlon Roles; and a background score by a jazz guitarist. It was never intended to be any more than something that we could use at Neighborhood Council meetings to get the community into discussions about that historic period. It's still in draft form, awaiting cleaning up of a faulty sound track. Naomi did the technical work. I provided content. We named it, "Lost Conversations ... and Untold Stories." It's causing a minor sensation with everyone who views it, because -- even in that short piece -- much of the information is previously unknown -- dug up from research studies collected here in the park's growing archives for scholars who will one day want to access it and add to the nation's knowledge of the period.
I'd given a copy to my friend who is chief of staff for Barbara Lee just before Christmas. I'd learned that the Congressional Black Caucus was planning a weekend visit to the Bay Area on January 26th as guests of the congresswoman and suggested that a tour of the new park might be an interesting field trip for the representatives. I'd talked about it briefly with our staff and we figured it was a workable plan. This park will be important to the telling of not only the story of the Rosies, but of the stories of black homefront workers on the west coast, and of the Japanese-Americans who were interned and later returned to Richmond; history that is little known and long neglected. The park tour plan got lost in the Christmas holidays and I'd heard nothing more about that possibility until the brief message turned upon Monday.
Now the phone message was asking if our office could supply them with 30 copies to include in the packets of the national representatives along with our little tour booklet and the General Market Plan Newsletter (added as an important afterthought). There wouldn't be enough time in which to fit a park tour, but they were greatly interested in a later tour for Rep. Lee and her staff when it could be scheduled. Meanwhile, our little DVD would take off across the country in the briefcases of every member of the Congressional Black Caucus. What a coup!
On February 23 I will appear on a panel at Mare Island, Vallejo, California, as a part of the Forest Service's Black History Month's observance. I'll use the little DVD to introduce my part in the proceedings. I'll be presented along with a member of the Buffalo Soldiers, and another panelist who will talk about the contributions of the late Rosa Parks.
But that wasn't all: Two days ago I received the hyperlink to that half-hour interview I did on January 20th for Pacifica Radio. And -- it really didn't sound as randomly nutty as I'd feared after re-reading the oral history from the Bancroft Library. I needn't have feared. It was lucid -- coherent. Truth carries its own power and when there are interested listeners, the words flow pretty evenly. When I clicked into the website I found that a production has been created around that little interview that begins with a poet reciting an interesting spoken word piece to music -- followed by Paul Robson singing "The House I live in." The interview ends with that great African American hero singing "Old Man River." Can you imagine? I don't think that it's been aired yet, but maybe I've missed it ... .
The Fight Against Racial Discrimination in the Richmond Shipyards:An interview with Soskin. (I found the site under Betty Reid Soskin and this title.)
Is this how celebrity happens? And, if so, why on earth did it take so long? In a very disconcerting way -- it appears to feed on itself -- creating its own energy and crowding out humility. But that part of me that tends to sit outside myself monitoring events as if from afar keeps things in perspective pretty well. If it gets too crazy I just remind myself that I'm outliving my hair and that -- given a few more years I'll be as bald as an eagle! That's when the giggles come.
The week continued to unfold with surprises around every corner. On the day after word came that my songs were available to me (and the cassette is now in hand, thanks to Charlotte), and that my film would be on its way soon; I arrived at my office and unloaded voice mail (had the weekend's accumulation) and here it was. Here was a call from the office of Rep. Barbara Lee asking if it would be possible to obtain 30 copies of the DVD. What DVD? Another story:
My co-worker, Naomi, and I had created a 4-and-a-half minute production intended as a discussion starter for our evolving outreach program (we specialists call this a "strategy"). Impressed? It turned out to be a barn burner; a little piece with a narration written and added to a cascade of images of the WWII period that shows ship launchings involving African Americans, news pieces; vintage photos from the albums of Marguerite Roles, widow of union official Mahlon Roles; and a background score by a jazz guitarist. It was never intended to be any more than something that we could use at Neighborhood Council meetings to get the community into discussions about that historic period. It's still in draft form, awaiting cleaning up of a faulty sound track. Naomi did the technical work. I provided content. We named it, "Lost Conversations ... and Untold Stories." It's causing a minor sensation with everyone who views it, because -- even in that short piece -- much of the information is previously unknown -- dug up from research studies collected here in the park's growing archives for scholars who will one day want to access it and add to the nation's knowledge of the period.
I'd given a copy to my friend who is chief of staff for Barbara Lee just before Christmas. I'd learned that the Congressional Black Caucus was planning a weekend visit to the Bay Area on January 26th as guests of the congresswoman and suggested that a tour of the new park might be an interesting field trip for the representatives. I'd talked about it briefly with our staff and we figured it was a workable plan. This park will be important to the telling of not only the story of the Rosies, but of the stories of black homefront workers on the west coast, and of the Japanese-Americans who were interned and later returned to Richmond; history that is little known and long neglected. The park tour plan got lost in the Christmas holidays and I'd heard nothing more about that possibility until the brief message turned upon Monday.
Now the phone message was asking if our office could supply them with 30 copies to include in the packets of the national representatives along with our little tour booklet and the General Market Plan Newsletter (added as an important afterthought). There wouldn't be enough time in which to fit a park tour, but they were greatly interested in a later tour for Rep. Lee and her staff when it could be scheduled. Meanwhile, our little DVD would take off across the country in the briefcases of every member of the Congressional Black Caucus. What a coup!
On February 23 I will appear on a panel at Mare Island, Vallejo, California, as a part of the Forest Service's Black History Month's observance. I'll use the little DVD to introduce my part in the proceedings. I'll be presented along with a member of the Buffalo Soldiers, and another panelist who will talk about the contributions of the late Rosa Parks.
But that wasn't all: Two days ago I received the hyperlink to that half-hour interview I did on January 20th for Pacifica Radio. And -- it really didn't sound as randomly nutty as I'd feared after re-reading the oral history from the Bancroft Library. I needn't have feared. It was lucid -- coherent. Truth carries its own power and when there are interested listeners, the words flow pretty evenly. When I clicked into the website I found that a production has been created around that little interview that begins with a poet reciting an interesting spoken word piece to music -- followed by Paul Robson singing "The House I live in." The interview ends with that great African American hero singing "Old Man River." Can you imagine? I don't think that it's been aired yet, but maybe I've missed it ... .
The Fight Against Racial Discrimination in the Richmond Shipyards:An interview with Soskin. (I found the site under Betty Reid Soskin and this title.)
Monday, January 23, 2006

An embarrassment of riches? Yes!
A re-reading of yesterday's entry surely reveals the clear fact that I woke euphoric. It's that strange phenomenon that defies understanding -- unless we factor in morphic resonance, maybe? Rupert Sheldrake may be onto something, truly. And why do you suppose that Sheldrake would have come to mind on Saturday -- 24 hours before? It's that strange experience of a feeling of getting out of sync with time ... acting on information that I don't yet have.
How on earth could I have known that later in the day there would be word from Charlotte in Southern California that -- years ago I'd given her a cassette tape of six of my songs (the tape I've been searching for with a sense of hopelessness for months now) and that she would forward it to me tomorrow? I could have shouted for joy! I'd really started to believe that only those lyrics still in my memory had been preserved -- and that my songs were lost forever. This surely means that I'll need to learn how to add sound to my journal so that you, too, can hear them. Will do.
But that's not all. Later in the day I found a message on my computer that someone was seeking permission to be lifted from the spamblocker. The name was unfamiliar -- but, in the subject line were the words, "Farallon Light." This was the title of the film that I wrote and performed the music for (two songs) lo those many years ago and that I'd never been able to find anywhere on the planet. I'd never told anyone that I'd done that work since it was a created in a time of mental illness and I wasn't all that sure it wasn't simply symptomatic of that and not much more. I knew that it had won festival prizes; and for years had been shown in the theater of the Lawrence Hall of Science on the University of California's Berkeley campus. I'd watched it there with my granddaughter who was about six at the time (she's 20-something now). Only in the past several months have I tried to trace it after re-discovering the old script and stills in my files. I wrote about that here at the time. It was then that I'd contacted this film library.
When I opened the email the message said that they have obtained "...a scratchy copy that we're willing to tranfer to DVD if you're still interested in owning it." Wow! I have a friend who heads the media department at the local community college who might be able to do some repairs or at least smooth out some of the more serious flaws. I want it no matter what shape it's in. It's proof that I've created something that might be of timeless value -- and having it to view after so many years is a priceless gift.
Today the National Women's History Project's annual catalogue arrived in the mail with a reproduction of this year's poster on the cover. I also received by email the draft of the 500-word bio that will be published soon. After reading it, I figure I could spend the rest of my life trying to live up to my own image!
If this is my obituary (so much coming together so eerily!), I'm ready to go, guys. It's gotta be all downhill from here!
Photo: This one is self-explanatory.
Sunday, January 22, 2006
Another Sunday morning ... and this one feels good.Furnace is back humming like a top. And -- naturally -- it wasn't "broken" after all. After two days of sitting in a cold apartment feeling forlorn (PG&E informed me that they couldn't send out a repairman until January 26th!) and unloved, I finally flopped face down on the floor of my den and carefully read the manual on "re-lighting the pilot" and decided (with Tom's reassurance by telephone from Mendocino) that maybe I wouldn't blow up the entire building if I simply tried to do it myself. So saying, I pushed the little button marked pilot and the thing roared on as predicted. Another problem solved; but it did little for my ego to know that the problem probably hadn't existed at all, but was my own misreading of the situation. Sound familiar? Right. It was undoubtedly the "God of Small Things" (see Arundahti Roy) getting me in line again after the ego-tripping caused by that dive into notoreity. After all, seeing one's very own face on a poster has to cause some unbalance in the psyche. I am surely not made of stone.
But to get back to Sunday. Woke slowly and lay with my eyes closed for a long time trying to recapture that feeling of reverence that Sunday used to bring when -- long ago I would have been getting ready for services at the Mt. Diablo Unitarian-Universalist Church in Walnut Creek on Eckley Lane. I might even be preparing to participate in some ceremony or doing a reading or meeting with a religious education class. This morning I truly miss that congregation of old friends, if only to share some of the joys and sorrows of the past weeks and months. There is such a backlog of feelings now -- and except for this journal -- I've no place to use them up ... .
Then there's this place in my mind where nothing ever dissipates but remains whole and retrievable until the time is right to reappear:
This song is not mine, but is a hymn, a real "Ode to Joy," that I discovered trapped in an old 2/4 German(?) march in the pages of the burgundy-bound UU hymnal. I freed it by transforming "Life" into a romantic gypsy peddler, gave it a new and lilting melody and performed it before the congregation on a Sunday morning such as this. The poem is by Sara Teasdale (thanks, Amie.)
Life has loveliness to sell -- all beautiful and splendid things,
blue waves whitened on a cliff, roaring fires that sway and sing,
and children's faces lifted up -- holding wonder like a cup --
for life has loveliness to sell, all beautiful and splendid things!
Life has loveliness to sell, music like a curve of gold,
scent of pine trees in the rain, eyes that love you, arms that hold,
and for the spirit's still delight -- holy thoughts that star the night
for life has loveliness to sell, all beautiful and splendid things.
Spend all you have on loveliness, buy and never count the cost --
for one bright shining hour of peace count many years of strife well lost,
and for a breath of ecstacy -- give all you have been or could be --
for life has loveliness to sell, all beautiful and splendid things!
blue waves whitened on a cliff, roaring fires that sway and sing,
and children's faces lifted up -- holding wonder like a cup --
for life has loveliness to sell, all beautiful and splendid things!
Life has loveliness to sell, music like a curve of gold,
scent of pine trees in the rain, eyes that love you, arms that hold,
and for the spirit's still delight -- holy thoughts that star the night
for life has loveliness to sell, all beautiful and splendid things.
Spend all you have on loveliness, buy and never count the cost --
for one bright shining hour of peace count many years of strife well lost,
and for a breath of ecstacy -- give all you have been or could be --
for life has loveliness to sell, all beautiful and splendid things!
Such a lovely bit of poetry ... such lush imagery!
Imagine my surprise and delight when -- appropro of nothing -- there at the gates of San Quentin prison only a few weeks ago -- Paul Sawyer mentioned that he had recently been listening to my voice singing this little hymn audiotaped at some church occasion long ago. The music and lyrics have been coming back in bits and pieces since that day. This morning it came together behind my closed eyes -- whole -- in brightly-colored fragments from the corners of my mind ... in slow motion -- drawn together irresistably like metal shavings to a magnet in a lively videographic animation ... as consciousness returned for another day of life.
Somewhere beneath the pain and disappointment; the sense of needing completion somehow and that I'll surely die without ever knowing that feeling; that despite the weight of her life upon my own -- Dorian has kept the child in me alive because that's the place where we meet without judgement. I know that the repository for the artist in me is in that child. I know that -- however The World turns out, eventually, despite my imperfections -- I will have fulfilled my self-imposed obligation to leave footprints deep enough for the children I'll leave behind, and at least as well defined as those left by the ancestors for me to follow. Together with countless others, we've helped to create a country and a world even when we were unaware of our effect upon human history.
Amen.
Imagine my surprise and delight when -- appropro of nothing -- there at the gates of San Quentin prison only a few weeks ago -- Paul Sawyer mentioned that he had recently been listening to my voice singing this little hymn audiotaped at some church occasion long ago. The music and lyrics have been coming back in bits and pieces since that day. This morning it came together behind my closed eyes -- whole -- in brightly-colored fragments from the corners of my mind ... in slow motion -- drawn together irresistably like metal shavings to a magnet in a lively videographic animation ... as consciousness returned for another day of life.
Somewhere beneath the pain and disappointment; the sense of needing completion somehow and that I'll surely die without ever knowing that feeling; that despite the weight of her life upon my own -- Dorian has kept the child in me alive because that's the place where we meet without judgement. I know that the repository for the artist in me is in that child. I know that -- however The World turns out, eventually, despite my imperfections -- I will have fulfilled my self-imposed obligation to leave footprints deep enough for the children I'll leave behind, and at least as well defined as those left by the ancestors for me to follow. Together with countless others, we've helped to create a country and a world even when we were unaware of our effect upon human history.
Amen.
Saturday, January 21, 2006

Time to re-direct ...
and AlterNet provided the perfect means to do just that.
This morning they're running a fascinating article about biologist Rupert Sheldrake, originally of Australia but now living in London. His was the controversial theory of morphic resonance,
"-- a complicated framework of ideas proposing that nature relies upon its own set of memories, which are transmitted through time and space via "morphic fields". The theory holds that these fields, which operate much like electrical or magnetic fields, shape our entire world. A panda bear is a panda bear because it naturally tunes into morphic fields containing storehouses of information that define and govern panda bears. The same with pigeons, platinum atoms, and the oak trees on Hampstead Heath, not to mention human beings. This theory, if widely accepted, would turn our understanding of the universe inside out -- which is why Sheldrake has so often felt the wrath of orthodox scientists.
For the past 20 years, he has pursued further research on morphic fields even though no university or scientific institute would dare hire him. Much of his empirical explorations focus on unsolved phenomenon such as how pigeons and other animals find their way home from great distances, why people experience feelings in amputated limbs, why some people and animals can sense that someone is staring at them. He believes morphic resonance may offer answers to these questions."
the most memorable was the "100 Monkey's theory" so widely discussed during the period of the Human Potential Movement of the 80's. Sheldrake posited that -- in an experiment conducted in the south pacific involving a tipping point where, when a particular number of monkeys on separated islands were introduced to a process of a kind -- the monkeys on the neighboring island adopted it as well -- without contact of any kind, once a critical number had been reached (i.e. the hundredth monkey).
Sheldrake was one of the "heretic" scientists associated with John Lilly and his dolphin studies and others who were intrigued by Zen and Tibetan Buddhism. There was a coming together of physicists, biologists, Buddhists, psychologists, writers like Isaac Asimov and Fritjof Capra and Loren Eisley -- through astronaut Ed Mitchell's Noetic Institute at Stanford and the Nyingma Institute in Berkeley. It was a world I drifted around the edges of while married to the university and to Bill who was deeply involved in all things esoteric and edgy (in its time).
Reading today's article (more to be found at www.sheldrake.org) served as a reminder of a life I tend to forget about in the dailyness of the past 20-30 years. It all feels very far away now -- like a fine film I once watched, with players so much larger than life. It was a period that lasted only ten years of my marriage -- until Bill's death -- and it changed the direction of my life for all time.
That Betty would hardly be squashed by little things like hayfever; not knowing how to deal with a pilot light on the furnace that blew out when she tried to change the filter; finding herself again chained to a child-woman who has returned home needing tending and chauffering and patience (oh the patience!) after being seduced into believing that the time of caretaking was ending ... and that life might finally be all interesting work, art galleries, time to muse, concerts, fine dining, and feeling womanly again. At least a few of yesterday's tears were certainly related to disappointment, a dash of self-pity, and at least a wee bit of guilt at feeling so.
That's what I need; a new infusion of thought by those wonderful daring dreamers -- or today's counterparts -- who knew no limits and who believed in themselves and in all the rest of us as well. Those learned men (and they tended to be all male at that time) saw wonder in everything around them. They were the antithesis of today's scientific leaders who are all bound by the bottom line instead of the upper limits of the universe of the mind.
Today I'll read some Rupert Sheldrake and try to recapture some of that dreamdust.
Photo: Taken in the livingroom of Deacon John Weaver of the Northern California Episcopal Diocese -- listening to a discussion in preparation for the Vallombrosa Conference at Stanford (circa 1976).
Friday, January 20, 2006

Where is my brownskinned heart to hurry?
The title of a song written long ago ... and that has been playing in the back of my mind since yesterday. This morning I woke sobbing into my pillow. Why on earth ...? No meaning came -- only the music -- as if coming from another voice -- as if in a dream ... but muffled so that Dorian wouldn't wake and find me distressed. I could never have explained to her dimmed mind the cause of the tears -- I couldn't even explain them to myself. Last night I went to bed so elated! But I had spent much of the past two weeks swinging wildly between highs and lows -- the executions at San Quentin, the Martin Luther King celebration, and the honors being bestowed soon by the NWHP. Was this then what it means to be manic-depressive? Surely not, since these were all larger than life events and my feelings appropriate to each. I'd surely never had such a diagnosis, but could this be? More sobs. I lay still for a long time quieting myself in preparation for climbing out of bed and into my clothes for work. Surely this would pass soon. But I'm still here ... .
It was in those few moments of quiet that the lyrics began to come together with the music -- and the ephiphany!
I was late twenty-something and living in Walnut Creek. The racial hostility was at its worst and one of my little boys had been stoned by some teens shouting "nigger!" from a passing car as he was returning on our country road from Sam's market -- across the creek and a few blocks away. He wasn't badly hurt and came to me looking puzzled and frightened to ask why? There was no answer. He was so young. I couldn't tell him that I just didn't know. The feeling of helplessness is one that I recognize as being always there playing softly in the background of my life as mother -- over all the years -- freshening unexpectedly from time to time. Maybe that's true for every parent, but perhaps not quite to this extent.
Later that day, after hours of torment and doubt, I wrote this:
Where is my brownskinned heart to hurry?
Where will I find my song?
Why must my mind be just for worry?
To whom does my dream belong?
What are my hands to hold this morning?
Where is my place in the sun?
With what shall I fill this time of longing?
Whose will shall be done?
The fruit of my labor will tumble in soon
in search of my love and my lead
Gave all I had when they left this mornin'
Why can't they know how little souls bleed?
Where is my brownskinned heart to hurry?
To whom does my dream belong?
Why must my mind be just for worry?
Who will hear ...
my ...
song ......?
I recognized that same feeling of helplessness on the day, years later, when my now grownup son, Rick, asked tearfully why his partner, Gordon, was lying dead on a slab at the county morgue because his northeastern family would neither claim his body nor release it to us for burial? Gordon was white and Rick was not. They were a committed gay couple who'd been together for 18 years. We lived with that gruesome reality for the 30 days required by law before we could claim Gordon's remains and memorialize him. Rick was dead a little more than a year later.
All of that rushed into my mind this morning -- replacing the giddiness I'd experienced last night as I dropped off to blissful sleep with the honors front row and center.
The sobbing that wracked my body this morning suggests that I may finally be willing to give up my self-assigned role of being "...the only grownup in the room." That I cannot possibly change the basic wrongs of the world no matter how hard I try. That I never could. That no one of us can and that it may be time now to set the world back down on its axis and allow it to find its own way toward redemption.
But you know what?
There is unspeakable relief in knowing that someone may have finally heard my song! The recognition being bestowed in March will symbolize this for me. Makes me wonder about the journeys taken by the other women with whom this honor will be shared. I so look forward to learning more about each of them.
Perhaps the tears were some indication of the power of releasing all that unspent pain.
Maybe I've finally exhaled.
Where will I find my song?
Why must my mind be just for worry?
To whom does my dream belong?
What are my hands to hold this morning?
Where is my place in the sun?
With what shall I fill this time of longing?
Whose will shall be done?
The fruit of my labor will tumble in soon
in search of my love and my lead
Gave all I had when they left this mornin'
Why can't they know how little souls bleed?
Where is my brownskinned heart to hurry?
To whom does my dream belong?
Why must my mind be just for worry?
Who will hear ...
my ...
song ......?
I recognized that same feeling of helplessness on the day, years later, when my now grownup son, Rick, asked tearfully why his partner, Gordon, was lying dead on a slab at the county morgue because his northeastern family would neither claim his body nor release it to us for burial? Gordon was white and Rick was not. They were a committed gay couple who'd been together for 18 years. We lived with that gruesome reality for the 30 days required by law before we could claim Gordon's remains and memorialize him. Rick was dead a little more than a year later.
All of that rushed into my mind this morning -- replacing the giddiness I'd experienced last night as I dropped off to blissful sleep with the honors front row and center.
The sobbing that wracked my body this morning suggests that I may finally be willing to give up my self-assigned role of being "...the only grownup in the room." That I cannot possibly change the basic wrongs of the world no matter how hard I try. That I never could. That no one of us can and that it may be time now to set the world back down on its axis and allow it to find its own way toward redemption.
But you know what?
There is unspeakable relief in knowing that someone may have finally heard my song! The recognition being bestowed in March will symbolize this for me. Makes me wonder about the journeys taken by the other women with whom this honor will be shared. I so look forward to learning more about each of them.
Perhaps the tears were some indication of the power of releasing all that unspent pain.
Maybe I've finally exhaled.